The Road That Cuts through Memories: How Places Were Built,Broken and Are Being Reshaped by NH-154
- bUILT-Up South-Asia
- Apr 5
- 7 min read
Updated: May 6
Urban spaces and dichotomies in South Asia are a living panorama. They grow through
the everyday cadence of people who build social space, who create markets, share
walls, exchange labour, create dialogue, cultivate fields, raise families and carry
remembrance across generations. The fact is that movements, the topography, work,
kinship and belonging shape places before any planning document arrives. Yet, when
major infrastructure projects appear, highways, bypasses and bridges often end up
treating the lived worlds as if they were empty; there is nothing rooted. Development
challenges and celebrates the fissures and the final layers of the asphalt, but forgets the
rough human history beneath it, the years of pain, uncertainty, the trees cut silently, the
labourers who migrated, the displacement of small vendors and ancestral homes, and
the erasures, emotional distances created long before physical distances are shortened
in the rebuilding nature. The Mandi-Pathankot Highway (NH-154) makes this
contradiction absolute and gives out a crystal-clear vision. This is the road that links
Mandi in Himachal Pradesh to Pathankot in Punjab, and is one of the massive
infrastructural projects that has been undertaken in this region. The road has been
promised and is put forth as a step towards modernising travel for tourists across the
scenic mountains. It has ensured faster movement of goods, easier accessibility for
people and economic endeavours. It has taken a step towards an eight- thousand-crore
budget (which may vary due to inflation), which includes plans for four lanes, tunnels,
widened curves, and bridges to bring the glory of Himachal’s mobility closer to national
standards. On a map, this looks neat and the purview of the government records, but in
reality, the highway passes through villages and emotional worlds that were already
built, and is being unmade with bulldozers and remade by concrete.

Figure 1- A road construction site on NH 154, the highway moves forward, reshaping
land and everyday life in Shahpur
The striking contradiction lies in administrative changes that altered the alignment of this Highway. Over the years, discussions about the alignment shifted; the earlier route
suggested that it would pass through more villages and towns and would rely more on
the stretches. Later, the iterations appeared and shifted away from major towns like
Palampur, Baijnath and Joginder Nagar and deeper into forested sensitive areas.
Locals have opposed these changes, arguing that newer alignments reduce the benefits
that the project was initially expected to bring while increasing the ecological and social
disruption. Since the official Detailed Project Reports are not available to the public,
these also show that the shifts have contributed to the mistrust and concern about how
decisions are being made and communicated in fragments, involving confusion and lack
of confidence. Their protests were not against a version of development that bypassed
people, even as it demanded their sacrifice and silent approval. This shaping and
reshaping have led to larger contradictions that become deeply personal when we listen
to the voices from Shahpur, Dramman and Rajol. These three places sit along the
highway, they shed tears, and it reveals the cycle of building, breaking and reshaping.
As this project enters the lived spaces of Shahpur Market, the realities hinder. Shahpur
is a town situated between Dharamshala and Kangra, neither large nor small, yet full of
its own life. The truth, when explored through physical and human geography, is located
in the foothills of Himachal Pradesh, wrapped in breathtaking and magnificent hills,
fields, schools, forests and the long history of the market. The market in Shahpur is
approximately one kilometre long, which is tightly packed with shops with no room to
breathe, and has been carrying the legacy of more than seventy years. This stretch
supports more than 1500 people; it didn’t appear because of any planned commercial
policy. It was built slowly, patiently, with triumph through the work of families, the trust
between neighbours, the unity that was formed over decades and the routines that
shaped daily life. Generations have grown up behind these counters. People have
borrowed and shared, they lend ladders, borrowed tools and now share the story of
pain.

Figure 2- A building caught between what it was and what it is yet to become
For Shahpur, tenants, the migrant worker, the shopkeepers were not losing their
livelihood but meant losing their existence and memories. One shopkeeper captured
and reiterated, “Mein apni maa ko kaise bech dun? (How can I sell my mother? The
context turns out that the mother here is the land.) When the news of the acquisition
spread, the residents tried to understand what was happening. The Detailed Project
Report, which should have been publicly available, is still in the shadows of dust.
Notices arrived with unclear measurements, and compensation rates differed sharply
between neighbouring stretches. The tussle between the circle rate and government
r̥ates continues as many people registered their lands at low values in the past to
reduce taxes, and now the government uses the same to compensate. The sadness
revolves around the tenants who have run the shops for the past thirty to forty years,
and as buildings are broken down, the tenants have no right to compensation. Shahpur
had more chaos as a few per cent of their land belonged to the Cantonment, and thus it
was directly transferred, with their livelihood and their lives at stake. Shahpur needed
dialogue, not notices, and they formed the Shahpur Bazar Bachao Sangharsh Samiti
community-led protest, where men and women sat on hunger strikes. They proposed
alternatives such as narrow widening, which would be at the same length as the bridge
or constructing a flyover or small alignment shifts that could save the market while
allowing the highway to be built. The irony remained as someone asked for a dialogue
and received demolished buildings and dreams. People note how they were forced to
sign. People mark the machines and the symbols as their trauma. In the same stretch,
another extension, the Dramman market, shows a different phase in the cycle of
development. Demolition began on the eve of 17 th January 2024. People were
removed, and bulldozers were taken to their households, claiming that forest land
belonged to the NHAI, and thus, the helpless masses didn’t know that the land where
they stayed, paying electricity bills, is now in ruins. They lived in this land for
generations together with water connections, and panchayat taxes, making the land feel
legitimate. But as the highway was built, decades of building disappeared, and
unmaking began in different administrative categories.
Kangra district could mention its happiness and perils. Thus, another market in Rajol, as
anthropologists describe the waiting, this market is half-deserted, people work and are
waiting for their demolition notices and do not have the ability or the determination to
fight for their rights. The loss of hope has blanketed a massive part of the market. Few
people wait for clarity and think about the future economic landscape. Waiting has
become a way of survival, and there is also hope that a new road will bring new
opportunities. In Rajol, market development has not yet been destroyed or rebuilt. It has
suspended life in time, placing people in a long stretch of building and unbuilding
themselves in the present.

Figure 4- Labour and machines rebuild the landscape, even as lives around it remain
uncertain.
There has been an environmental impact deeply tied to human disruption. Since 2018,
there have been hectares of forest being cleared in different packages. Trees such as
Sheesham, Deodar, Mango and Jamun have been cut at low compensation rates.
Despite official requirements, there has been no compensatory afforestation in the
region. It has to be noted that wells have dried, landslides have increased due to
unregulated muck dumping, the slopes have weakened, and forest-dependent incomes
have decreased. Nature is being reshaped quietly, and the losses are not
acknowledged, though local communities depend on the environment for their survival.
Across Shahpur, Dramman and Rajol, bureaucratic violence shapes the experience,
DPR is withheld with package stories, and compensation rates are decided by the
“Competent Authority for Land Acquisition”. Tenants remained unrecognised, forest loss
is underreported, and the officials repeat phrases like “inevitable and greater good”.
Displacement happens not only through machines, but through silences. Ordinary
people are burdened with legalities. Unmaking in the contest begins long before any
wall falls. It begins when people are uninformed and do not realise they are being
exploited. This highway isn’t a road; it is the reflection. It presents a picture of how
South Asia builds through everyday life, unmakes in the context of sudden development
projects, rebuilt through resistance and reshaped through the forces that lie beyond
control. The highway represents development, not in monetary value but in the lives it
touches, the trees it removes, the livelihoods it disrupts and the future it transforms.
Infrastructure should treat people as the cost of progress and the centre of progress.
Development should open its ear to listen, to include, to be just, and then the roads will
connect lives instead of boundaries and the symbols that separate them. The story here
is the lived realities of a small portion of NH-154, where a story of building, breaking,
rebuilding and reshaping is presented. A story of Kangra district of Himachal Pradesh is
not a representation of a district but the voices of the entire subcontinent where the
challenges and futures are reflected in the blurred lines of development.

Anugraha K Kurian is a researcher and ethnographer whose work dwells in the human landscapes of borderlands, culture, and governance. She is currently a doctoral scholar in the joint PhD programme of the Indian Institute of Technology Bombay and Monash University, and an alumna of the Indian Institute of Technology Mandi. Her research attends to narrating belonging, memory, and power in spaces shaped by movement and change. Trained across development studies and the humanities, she is also a Kathakali artist and educator.

Tanya is a postgraduate student from IIT Mandi, Himachal Pradesh. Both of them completed this project with a team of four members under the guidance of Dr. Nilamber Chhetri.



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